(PHONE RINGING) SONYA: Previously on The Bridge...
MAN". You're working late.
Yes. You talk as if you know me.
I understand you.
You had sex with Charlotte Millwright?
Yes.
(SPEAKING SPANISH)
You seem, uh, distracted.
ESMERALDA: Eight girls were found.
Dead?
He got them.
(SPEAKING SPANISH)
Are you hurt?
I saw him.
I saw The Beast.
(WOMAN MOANING)
RAY: Oh, yes.
(MOANING INTENSIFIES)
RAY: (PANTING) Oh, God.
Jesus, baby. You're gonna kill me.
It ain't 10 years ago.
(GIGGLING)
You could've fooled me.
I've been married to an older man, remember?
(CHUCKLING) What was that like?
You want to know how you stack up?
(LAUGHING)
No.
Let's just say Karl had other talents.
Yeah, serious coin to own a spread like this.
That's not it.
Was it worth it?
Put your pants on.
Oh, Char, I didn't mean anything.
No, I want to show you something.
Okay. The basement.
What's in there, a sex dungeon?
Mexico.
Shit.
I'm guessing this was Karl's idea?
Drugs?
Immigrants.
We were broke.
I didn't know.
What's on the other end?
A crazy, psychotic bitch.
And you want me to deal with her?
(FOOTSTEPS APPROACHING)
What the hell?
(SPEAKING SPANISH)
(THEME SONG PLAYING)
Until I'm one with you
My heart shall not pass through
Our love will be mistaken
(INDISTINCT RADIO CHATTER)
That's a big bead.
And a Colombian necktie.
Narcos do this to each other.
Yeah, but our victim's a shrink. He's not a narco.
What story is he telling?
(SPEAKING SPANISH)
I put a patrol on every street within a three-mile radius, boss.
He pulled a Houdini. We got nothing.
(SIGHING) How's that little girl holding up?
She's with Sonya.
Any word on the mother?
MIA. Still working on it.
I'll let her know. All right.
He's pretty.
Pretty dead.
You saw everything?
It was so fast. I...
I don't know.
Do you remember what he looked like?
Yes.
No.
I need specifics.
Uh, hair color. Stop.
Eye color. Stop.
What's going to happen to me?
Uh...
Do you know where your mother is?
No.
We're gonna take you to the station.
It's okay. You're gonna be safer there.
You should pack your bag.
Made a mistake leaving that car at the scene.
Is that a real police cruiser?
No, guy must have bought an '02 Crown Vic at auction,
tricked it up to look like one. The lab's all over it.
Don't put that up. Not while she's here.
Copy that.
Hey. You have more photos of Meadows' patients?
Yeah, here.
You're welcome.
I didn't say thank you.
(SPEAKING SPANISH)
Gina heard her father talking to someone before the murder.
And you're thinking that the killer was a patient, right?
Maybe.
Well, Dr. Meadows saw a lot of cops.
Makes sense.
He was a network provider for the health plan.
He saw a lot of El Paso PD, DEA, FBI patients.
Cop car, cop psychiatrist.
Okay, look, what do you say
we all keep this law enforcement angle between us, all right?
Yes, sir. Sure.
How's she holding up?
She's a bad eyewitness.
I'm not getting anything from her.
Well, Sonya, she's 15 years old
and she just lost her father. Go gentle.
Okay?
I got her breakfast.
Good thinking.
SONYA: Here you go.
I don't think I can eat.
Would you like a glass of water?
That's okay.
Okay-
Take a look at these. Tell me if he's one of them.
You're staring.
I'm sorry.
No.
Try again.
Please. He's not there.
Maybe if you ate something...
Can I have a cigarette?
Are you 18?
No.
Then you can't.
Tissue?
(SONG PLAYING) I rode my bicycle
Past your window last night
I roller skated to your door at daylight
It almost seems
Like you're avoiding me
I'm okay alone, but you got something I need
Well, I got a brand-new pair of roller skates
You got a brand-new key...
DANIEL: Gotta stay and flush.
(PANTING)
You can do this.
(SIGHING)
You can do this.
(DOOR BUZZING)
These are classified FBI files. Where did you get these?
I told you, I have a source.
So the agent who got his head cut off
was screwing the hooker who got cut in half?
Exactamundo.
But the killer's not random. He hasn't called?
Not since Marco Ruiz jacked my phone.
You don't know it was Marco.
Yeah, it was him. My phone just randomly disappears,
then shows up in Lost and Found two days later.
It was him. Same move I would've done.
The killer's making a connection.
Yes.
So what other connections are we missing?
I don't know.
We should start with Cristina Fuentes.
Yes. Wait, back to Juárez?
Yeah.
Okay. Bring it.
(SPEAKING SPANISH)
Hey, mijo.
(SPEAKING SPANISH)
(SPEAKING ENGLISH) Shouldn't you be in school?
No, I only have one class today,
so I thought I could ride home with you.
Well, I've got to work and...
When are you coming home?
(LAUGHING)
Are you coming home?
I don't know. It's up to Alma.
But this is the second time you've done this.
No,no,no. That was different.
Different?
Okay-
(SPEAKING SPANISH)
(SPEAKING ENGLISH) Okay? Fix it.
No,no,no. Wait, wait, wait, wait! Gus, wait!
Alma doesn't deserve this.
Okay?
Why would you do this?
You know what? Just go home.
No. No, I don't want to go.
Just be there with your sisters, please.
Be there for me. Help Alma. Please?
Okay, it's not gonna be like the other time, I swear.
I promise.
She can't ID the killer. I need more photos.
Um, Gus, Sonya. Remember each other?
Yeah. Hi. Hi.
How is the case going?
Good. We have a witness.
(CLEARING THROAT) I need your dad.
Yeah.
Okay-
Take him.
Anything wrong?
Nope.
Okay-
ADRIANA: Fuentes...
(SPEAKING SPANISH)
Oh, my God, can we please get out of here?
No comprende, but that dude looks tense.
Yeah, it's more than that.
Find something?
No.
How's it going with Gina?
She can't remember anything.
She's been through hell.
The cut...
The Colombian necktie... Maybe her father was into drugs?
I already checked. He's clean.
Have you tried talking about something else with Gina?
Why would I do that?
To get her to trust you.
She trusts me. I'm a cop.
(CHUCKLING)
(CELL PHONE BEEPING)
Got a moment?
Yeah, come on in.
I was going through Meadows' patient files, and...
And, you found me, didn't you?
Yeah.
Does Sonya know? No.
Good.
Do you want to know why?
If you want to tell me.
Everybody has that one case that costs.
Yeah, I have many.
This one was a girl. 18 years old.
Found her in a ditch. She'd been raped and beaten and...
What this guy did to her was...
Anyway, I caught the case,
and the mother was out of the picture, father was missing in action.
So, the girl's little sister came to ID the body.
She was 15 years old, having to do that.
You get the guy?
Yeah, it was a truck driver. His name was Jim Dobbs.
He looked really good for it.
I chased him to a motel half a mile from the border.
And if you read the report,
it'll tell you that he reached for a gun on the nightstand.
Reports are funny things.
You took him down?
Yes, well...
I put a bullet right in his brain pan, but it didn't kill him.
No, it went... (IMITATES FLYING)
So now he's got three hots and a cot, courtesy of the state.
'Course he doesn't know what day it is.
So they sent you to the shrink.
No, I sent me to the shrink.
I was having a hard time with what I'd done.
He deserved it.
No, not Dobbs.
I couldn't give a rat's ass what I did to that asshole.
I was troubled with what I did to the little sister.
See, I took away any hope she had of getting answers.
Her.
Sonya. Yep.
And I'd appreciate you keeping this between us.
Yeah.
You're too skinny. Men don't like them too skinny.
I like her just fine.
Monte.
I like women in all of their forms.
What's the point of this meeting?
My partner and I
would like to make some changes in the arrangements.
Your partner?
Ray-
From now on, I don't know anything about the tunnel.
For everything, and I mean everything,
you deal with Ray.
And who is Ray?
I'm the guy you're dealing with.
Seriously, I'm reliable.
Truth be told, it's not my first dope rodeo.
Miss Rivera has no involvement in narcotics of any kind.
Easy there, Tex.
I'm really good at moving things from here to there.
You know what I mean?
Name, date of birth, Social Security number.
If everything checks out,
it will be just like it was with Karl, but with Ray.
(CLEARING THROAT) Nice doing business with you.
We'll see.
Adiós, muchachos.
He kept my pen.
A sketch artist is coming.
Great.
Gina, it's important that you try. (KNOCKING ON DOOR)
They want you in the garage.
Trujillo's having trouble getting the VIN number off the car.
The killer's way too careful. He's not gonna find anything.
He still wants to talk to you.
How are you holding up?
I don't know.
I can't remember. It's...
It's like it was a really messed-up dream or something.
Yeah. I believe you.
You smoke?
Yep, sometimes.
Can I have one?
(CHUCKLES)
It's bad for you.
I know.
Please.
One.
But you can't tell my partner where you got it, all right?
(CHUCKLES)
Yeah, she's...
She's pretty intense.
Yeah, she is.
Deal?
Yes.
(ADRIANA SPEAKING SPANISH)
What's up with all this spy-versus-spy bullshit?
Look, if we keep asking questions
about the death house, we're gonna end up in a scary place.
That's what we do. We ask questions.
It's different down here.
No shit, Sherlock.
ADRIANA: The Calle Parsonieros house? DANIEL: Uh-huh?
Cristina was thrown in there with 22 other bodies.
Yeah.
There was another body in the house. Rafa Galvan.
Fausto's brother?
Yeah. There is no way he could admit
his brother had been killed, so he made it all disappear.
How'd he do that?
With the help of the police.
Specifically, one Chihuahua state police detective.
(SNORTING)
Marco Ruiz?
You tell me.
He was assigned the case and the case disappeared.
And that, that brings us back to Fausto.
Which is what I wanted to show you.
Oh, my God.
ADRIANA: This is what Fausto does to a sicario that pisses him off.
What do you think he'll do to you if he
finds out you're asking questions?
Why don't they cut him down?
ADRIANA: They're afraid of Fausto.
I'm not afraid. Are you?
Yeah, lam.
You still want to work the story?
Hell, yeah.
Good.
Give me your phone.
SONYA: What about his cheeks? Full? Hollow?
I don't know.
It was dark. I was hiding. I only saw him for a second.
How about his hair? Long? Short?
Look, I don't know! All right?
I don't know. I don't.
(SOBBING) it was so fast and I was so scared, I can't remember.
I think we should take a break.
Go on.
You can't push her like that.
She saw something terrible. Something she'll never forget.
I know, but she has to remember his face.
TIM: Sorry, Gina's mother is here.
Oh, good.
Not necessarily.
She's with Hank.
Mrs. Meadows, this is Detective Cross and Detective Ruiz.
They've been talking to Gina.
How is she? MARCO: She's fine.
She's helping us identify your husband's killer.
Ex-husband. I'm gonna take Gina home.
Well, I don't think that's a good idea.
What are you talking about?
You're on drugs.
What she means is that Gina's safer here with us.
You're supposed to take care of your daughter.
Sonya“.
OxyContin?
Are you using, ma'am?
Your husband couldn't get you help?
Help?
Peter gave me my first prescription for Oxy.
Did he write prescriptions for other people?
Isn't that what this is all about?
That house didn't get paid for
by doing contract work for the county health plan.
SONYA: Okay, Meadows sells drugs,
so he's killed like a narco.
Gedman uses prostitutes,
so he's beheaded.
Illegals poisoned.
A judge and a prostitute bisected.
HANK: It's all over the place.
It's personal, it's political. It doesn't make any sense.
It does. It does to him.
Maybe Gina knew what her father was into.
Not now, Sonya. HANK: Marco's right.
If you press her now, you're not gonna get anything.
Burgers, chili, onions, heartburn. Come on, my treat.
We don't have time to eat, Hank.
Yes, we do, Sonya. Yes, we do.
Marco, you coming?
I've got to take care of something at home.
(CELL PHONE RINGING)
Sooner or later, you're gonna have to answer that.
For now, I'll talk later.
Cheers to that.
(CELL PHONE RINGING) (SIGHING)
it gets better.
I mean, the end is always tough, but then,
you move on.
Time passes.
And you just end up
different.
But I don't know if different's what I want.
Well, you'll figure it out.
And just give yourself time.
Yeah.
Thank you.
(SIGHING)
This feels so nice.
I'm...
I'm sorry.
No, it's okay.
(BOTH CLEARING THROATS)
it really helps me to talk to somebody.
Pretty damn good, isn't it?
Really.
I don't like burgers.
Well, that's un-American.
Eat your freedom fries.
Did you get a hold of my mom?
We did.
So, she's picking me up?
Honey, I don't think going home with your mom
is the best thing for you right now.
Yeah.
She's got her problems.
My mom was like that.
Really?
Yup. Her thing was cocaine. And men.
Your mom can get clean.
She's tried.
Well, we're gonna help her try again.
Hey, if you're not gonna eat that, I will.
I need to go to the bathroom.
Of course.
Her mom's not gonna get clean.
She's going to Social Services till she's 18.
Well, there are different ways to coat that pill, Sonya.
I hated Social Services.
Well, you didn't turn out too bad, did you?
Excuse me.
Gina?
Gina!
Hank!
Oh.
Hey, Gina!
Female, Caucasian, 15 years old,
black-and-white sweater, bluejeans, brown shoes,
in the vicinity of Missouri Avenue.
Hey,Sonya!
Gina!
(WOMAN SCREAMING)
(PANTING)
Gina.
Gina! No! (CRYING)
Hank!
Okay, just hold on. Hold on.
GINA: It was him.
(BREATHING RAGGEDLY)
Am I gonna die?
You just hang on for me.
Shh.
(GASPING)
Shh.
(RAGGED BREATHING)
I got the eyes right.
No,no,no!
(SONYA GROANING)
Help! Help me!
(GROANING)
Shh. It's okay...
SONYA: Don't touch me!
(KEYS JINGLING)
(KNOCKING ON DOOR)
(SPEAKING SPANISH)
(SIGHING)
(SPEAKING ENGLISH) Okay.
(SPEAKING SPANISH)
(CELL PHONE RINGING)
Hey-
Gina's dead.
She ran from the restaurant, and he got her.
Who else knew she was with us?
Nobody.
Her mother, the FBI, our people.
He's watching us.
Are you all right?
(PANTING)
Yes. I'm fine.
Figured I'd find you here.
Are we following the story or drinking the day away?
(SLOWLY) lam drinking club soda,
because I am 48... Oh!
Excuse me, lam now 51 hours sober.
Here's to the next 10 minutes.
Good for you.
Oh, yeah, I deserve a merit badge.
Let's just work the story, huh?
Okay-
So, the killer dumps half of Cristina Fuentes in a death house.
And Marco Ruiz is the lead investigator, but the case gets buried.
It doesn't feel like a coincidence.
The killer, he wants us to know that Marco's dirty, right?
Maybe.
(CELL PHONE RINGING)
Ah, Timbo. Right on time.
TIM: You know me, Ray.
Clockwork when it comes to business. How's Texas?
Interesting.
Yeah, and Charlotte?
Smoking hot, horny.
Ah!
(CHUCKLES) It's rough, dude.
Oh, yeah, sounds it.
So, what's up?
I want to get something going down here.
Yeah?
You know what I mean?
I do.
Think you could set me up with 50 to start?
Oh... Yeah, I don't know.
I thought you said you were the man in Tampa.
I am. So?
Just gonna take me a couple of days.
Sweet.
All right, take it easy, Ray, or don't take it at all.
Later. Later.
Good job, Timmy.
Snitching suits you.
You got what you want. I'm good, right?
Oh, no, bud.
We are just getting started.
(SPEAKING SPANISH)
(DOOR BUZZING)
Marco Ruiz.
(SPEAKING SPANISH)
Fausto...
(SPEAKING ENGLISH) Okay...
(SPEAKING SPANISH)
No.
(SPEAKING SPANISH)